Main Sequence
Long/slow zoom to Ext/C/UP of eye over VO in a cell maybe pan across a shelf with things on it in either his bed room or his cell after the events in the psychiatrists office
Cough dissonance 1st is real cough 2nd is to get attention and cuts to PY in office PY starts in focus and then refocuses in real time to TV
uncomfortable silence 4-5 seconds F/B
then mutters line 4 like a child, twiddling his thumbs. Pull from PY to TV
head in hands/disappointed/parent like for line 5
line 6 disgruntled teenager arguing back for no reason snappy cut on every brake in sentence maybe to Py
line 7 when interrupted whole body language changes slumps ect camera stays on him as TV starts speaking
line 8 leans forward, stares into PY's eyes
line 9 tracking around characters snapping across 180 line ending in mid shot over PY shoulder of TV
line 10 - 12 reverse static, default continuity editing
line 13 slow tracking shot from a low angle 30 – 150 until after “sea of pure imagination” or on line 14 with the chuckle must be said as if he is talking on the top of his head, through his ass.
Line 14 cut mid shot/ C UP for line and then 15 – 18 reactions/reverse
Line 19 picks up glasses and reads from exclamation marks up to screaming then slow track on TV from 60 – 35 on “why are you following me” then stop on comma and FB to slow punch on “ stop following me” which is also muttered by TV. Then mid shot on PY for last sentence
Line 20 Ext close up of both eyes or face first part look down and then look up, stare at PY
21 – 22 pull out over PY shoulder
23 as TV say me in 22 PY gets up and camera pulls out to both in frame then refer to diagram maybe a pan with him after the window finish on 90 degree on close up of PY facing window.
24 extreme close up on TV FB of silhouette on camera
25 sitting back down over shoulder of TV (back to default shots)
26 over top of line images of man in different locations when in the street refer to diagram
27 – 31 default camera
32 – 33 same as before but maybe FB
34 goes to close up to show eyes
35 reaction and reverse
36 ignored him maybe reaction of PY shrugging it off
37 slightly louder than before shuffles paper to change conversation
38 normal until TV says “all you stand for is a scam” then PY gets up again to the window Tv also stands and continues to have a go you watch TV get up over PY shoulder then refocus onto PY's face after he gets up TV talks all the way through
39 turns around body language changes/more agitated/uses hand signals to emphasise points and walks around
40 close up of smile (twisted) cuts to same shot before of PY looking out of window towards camera and TV over shoulder talking
41 turns around sharply more angry starts to sort paper on his desk while saying lines avoiding eye contact shot of Luke walking behind TV who doesn’t move fixed on PY
42 getting up to leave turns to camera and smiles
43 same shot as before but smile drops
44 cut as TV turns around and gives long speech, long shot and slow zoom as TV walks toward PY while talking until face to face
45 same shot PY smiles then Luke grabs arm and TV stares once more into PY's eyes
46 as he says what he says up until satisfaction then slow zoom in close up of PY until “and when” the switch to TV same shot. Then for last sentence switch back to PY and stay on him with slow pan across to Luke closing the door behind them. Then he turns around and the VO of line 47 starts as he is staring out of the window
47 is a slo mo shot of TV walking down the corridor close up of his face. Cut to long shot slo zoom out as he walks through door, on what’s the point music stops and cuts to same shot as opening shot and music stops
Fight Sequence
Walks down the street, tracking shot, then kids come into view 10-15 more seconds of walking then he notices them stops for a second and continues to walk on.
Then a following shot behind him he looks over his shoulder and cuts to the two kids walking and chatting.
Then back to him as he stops and turns around to face the kids, they aren’t looking where they are going and thus they bump into tom camera is at a low angle mid-shot of both the kids and tom.
He then says why are you following me and it goes to a reaction shot of the kids looking confused.
It then goes back to the same shot as before as he hits one of them in the face and get a safety of the kid being hit in reaction.
He then goes on to batter him on the floor while screaming why were you following me and maybe get a slo mo of a low angle of toms fist coming down onto him.
The other kid then jumps on his back to try and wrench him off and they both fall to the left off the camera.
He then continues to batter the kids until they are both unconscious on the floor and he then gets up and looks around for witnesses and there is a point of view shot of him looking around he then runs off past the camera.
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